Il color management ICC consente di avere un workflow prevedibile, uniforme e ripetibile in ogni fase, dall'acquisizione alla produzione finale. Per ottenere un workflow con gestione del colore è necessario calibrare i dispositivi e creare un profilo ICC per ogni componente: fotocamera, monitor, proiettore, scanner e stampante. Importanza della calibrazione e della profilazione Per ottenere i migliori risultati cromatici è necessario calibrare ogni dispositivo rientrante nel workflow, ...
Posted January 27, 2021 by Ray Cheydleur
Softproofing – the ability to simulate how an image will appear in print right from your monitor – can save a lot of time and effort in your printing workflow. Although many photographers already rely on it, anyone who designs, approves, prepares or prints brand and color-critical images can also benefit. With softproofing, designers can create with actual specified colors (no more trial and error!), project owners can approve layouts without physical proofs (predictable color!), and...
Posted August 20, 2020 by Mark Gundlach
As digital printing continues to grow, many printmakers are moving beyond traditional media to create artwork on substrates like wood, acrylic, textiles, and backlit materials. While the results can be beautiful, achieving exceptional print quality on these materials can be challenging. Enter the i1Pro 3 Plus. With its large aperture, polarization and transmissive capabilities, this new member of X-Rite’s i1Pro Family can create color profiles for substrates that are otherwise ...
Posted May 20, 2020 by X-Rite Color
In my recent blog I explained why the demand for printed fabrics is increasing and the challenge this poses for the digital print industry. Today, with help from Digital Imaging Expert Scott Martin of Onsight, I will share tips and tools to help printers profile textiles for a consistent digital workflow. While smooth textures can often be measured using traditional digital tools, fabrics with texture or specular reflections (like coated canvases) can cause issues. It's a lot harder to achieve ...
Posted January 28, 2020 by Ray Cheydleur
La stampa digitale esiste da molti anni, ma in questo momento il settore attraversa una fase di drastici cambiamenti. Tra i vantaggi, rileviamo che le tecnologie di stampa digitale utilizzano inchiostri più sostenibili e offrono una maggiore affidabilità, una durata maggiore delle stampe e un miglior livello complessivo di efficienza e convenienza economica. Questi cambiamenti, però, obbligano i laboratori di stampa a modificare le modalità operative per rimanere comp...
Posted January 23, 2020 by Ray Cheydleur
With today’s complex cross-media campaigns, accurate profiling is even more important for managing customer expectations across the color supply chain. Our i1Pro 2 solutions help photographers, videographers, prepress and digital printers create profiles for the best color on monitors, scanners, projectors, printers, and online web-to-print submission tools. But with so many to choose from, how do you know which is the right tool for your color workflow? Whether you’re looking to add a new comp...
Posted April 11, 2017 by Ray Cheydleur
We’ve all done it. Snapped a picture on a digital camera or smart phone, sent it to the computer, made a few adjustments, then sent it off to print…. only to be disappointed. The sky looks green. Grandma’s hair is purple. The contrast is so far off you can’t even see that cute little puppy. Stupid camera. The struggle is real for so many people, from hobbyist to professional photographers, graphic designers, and professional printers. Let’s look into this all-too-common mystery of the off-color ...
Posted May 18, 2016 by Bruce Wright
