Ślad środowiskowy mody wymknął się spod kontroli. Według National Resources Defense Council (NRDC), "Przędzalnie wytwarzają jedną piątą światowego zanieczyszczenia wody przemysłowej i używają 20 000 chemikaliów, wielu z nich rakotwórczych, do produkcji ubrań". Tkanina produkowana w fabryce.Obraz ze strony NRDC.org.   Problem wpływający na każdego. Czy wiesz, że do produkcji jednej tony bawełnianej tkaniny potrzeba około 200 tons wody (wystarczającej do zapełnienia ...

Posted April 12, 2023 by X-Rite Color

Color measurement is used to specify, quantify, communicate, formulate, and verify color quality for color critical work. Because everyone perceives color differently, color measurement is more precise than visual evaluation.  How to Measure Color Wavelength To measure color, a color measurement device called a spectrophotometer shines light onto a sample and captures the amount of light that is transmitted or reflected in the 380 nm to 780 nm wavelength range, which is the wavelength rang...

Posted August 24, 2021 by X-Rite Color

COVID-19 zmusił wiele firm do ponownego przemyślenia sposobu, w jaki komunikują się, zatwierdzają i produkują barwy. Dla niektórych oznacza to próbę prowadzenia "biznesu jak zwykle" z odległej lokalizacji. Dla innych oznacza to znalezienie sposobów na zarządzanie barwą bez podróży. Tak czy inaczej, wiemy, że nasi klienci robią wszystko, co w ich mocy, aby utrzymać działalność, jednocześnie dbając o zdrowie i bezpieczeństwo swoich pracowników. Chcemy pom&oacut...

Posted December 15, 2020 by X-Rite Color

Recently we had the opportunity to sit down with Laura Guido-Clark, a consumer products designer of color, material, and texture. She has been dubbed an “Experience Consultant,” which reflects her interest and study of human reactions to the look and feel of new products.   Photo by Laura Flippen. We asked Guido-Clark to speak with us because we also appreciate the importance of color in our lives.   Q. What inspired you to pursue a career in color? A. When I wa...

Posted September 01, 2020 by X-Rite Color

G7® is a proof-to-print process control method that allows you to reliably and efficiently match the visual appearance of the output from multiple printing devices. It works by defining the gray balance and NPDC curves in conjunction with the traditional method of measuring tonal value increase (TVI/dot gain) for each color. G7 can be applied to any type of printing, regardless of the type of ink or printing method, including all types of digital, offset, flexo, gravure printing.   It&r...

Posted February 27, 2020 by Mark Gundlach

Virtual reality has re-imagined the art of apparel and footwear design. 3D design programs like MODO, KeyShot, CLO, Browzwear, Optitex, and Lectra augment the creativity of color and material designers to virtually construct patterns and render realistic 3D garments.  This is exciting technology for brands that want to reduce waste for a greener footprint and accelerate design to keep up with fast fashion. However, designers are notoriously tactile. They need to touch, feel, and gain a...

Posted October 24, 2019 by Bruce Wright

With so many requests for innovative bases, transparency, and special effects, formulating color for paint, coating, and plastic applications can be a challenge. To keep up, formulation software needs to be innovative, too. We recently launched version 10 of our Color iMatch formulation software, and it is our smartest version yet. It allows you to select cost-reducing parameters, such as lowest cost or fewest colorants, and will determine the best formula for your application. It work...

Posted July 10, 2019 by Rich Knapp

Like geographic coordinates – longitude, latitude, and altitude – L*a*b* color values give us a way to locate and communicate colors. What’s the history of L*a*b*? In the 1940’s, Richard Hunter introduced a tri-stimulus model, Lab, which is scaled to achieve near uniform spacing of perceived color differences. While Hunter’s Lab was adopted as the de facto model for plotting absolute color coordinates and differences between colors, it was never formally accepted as...

Posted October 08, 2018 by Tim Mouw

Niedawno pisaliśmy na blogu, jak wygląd wpływa na barwę. W tym artykule przyjrzymy się wybranym cechom wpływającym na wygląd przedmiotów, takim jak tekstura, połysk, przezroczystość i efekty specjalne, a także wyjaśnimy, dlaczego tak ważne jest opisanie wyglądu na wczesnych etapach projektowania. Podczas gdy programy 3D od lat starają się uwzględniać aspekty wyglądu, w wirtualnym projektowaniu produktów brakuje jednego ogniwa: możliwości integracji charakterystycznych „prawd...

Posted November 29, 2017 by Thomas Meeker

You think you’re doing everything right, but your color isn’t consistent. Why? Through the years, designers have used many tools to help them specify color. Color swatches, style guides and product prototypes have been effective, but with the advent of the digital world, these physical tools are no longer enough. To be efficient, designers need to be SPECIFIC. X-Rite Pantone President Ron Voigt recently published an article in MediaPost that explains why. To be effective, designers n...

Posted November 17, 2017 by Cindy Cooperman

Color is our perception of reflected light across the visible spectrum. When light hits an object, it absorbs some rays and reflect others. The color of light that reflects back into our eyes is the color we perceive. The more light an object absorbs, the darker it appears. With black, very little light is reflected. Pure black in the presence of light wasn’t achieved until 2014 when Surrey NanoSystems announced the invention of Vantablack. This high-tech artificial substance absorbs 99....

Posted October 13, 2017 by Mike Huda

Have you ever sent out a job that passed your inspection, only to have the customer reject it for out-of-tolerance color? You recheck the data and the instrument says the color passed the agreed tolerance… why is the customer saying it doesn’t? We get a LOT of these conflicting measurement calls in technical support. The solution is simple – document a color control program that clearly defines how to assess color, then make sure everyone (including your customer) follow...

Posted September 08, 2017 by X-Rite Color

Did you read our blog: Are You Using The Right Tolerancing Method? If not, check it out. Today we’re taking the topic one step further to investigate how tolerances are chosen in different industries. A pass-fail tolerance is the amount of color variation that is considered commercially acceptable. In part, tolerances are driven by customer expectations. While color tolerances are very tight in the automotive, plastics, and paint & coatings worlds, they can be much less strict in other...

Posted May 02, 2017 by Mike Huda

Consistent color is a journey. A few weeks ago I blogged about the most common pitfalls people run into when starting a color program… Wrong lighting Less-than-perfect color vision Inaccurate physical standards Inconsistent device color measurement …And introduced some inexpensive color tools to help overcome them.   But the journey doesn’t stop there. Even if you’ve been successfully managing color for years, advances in inks, dyes, and substrates are introducing new challen...

Posted March 13, 2017 by Shoshana Burgett

If accurate color is a must in your world, then you know the importance of color measurement instrumentation. Spectrophotometers are used in many industries to identify, formulate, measure and communicate color. They can compare samples and standards to identify even the smallest differences. From concept through formulation and production, spectrophotometers are an invaluable part of any color-managed workflow. But have you ever stopped to think how these devices were developed? Today we’ll tak...

Posted November 16, 2015 by X-Rite Color

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